How to stop remakes and reboots from ruining your day

Not a day goes by where I don't get asked the question "Why do Hollywood keep making reboots and remakes, do they not have original material?" I always respond with "Do you go see these movies?" and the answer is usually "Yes."

Here's the thing, if people simply stopped going to see these movies then they would not get made anymore.

Just let that sink in... Think about it, why do studios make movies? Is it to entertain you? No. Is it to teach you something? No. Is it so that we have something to do on date night? No. Movies are about making money, at least on the studio level they are, and reboot and remakes are pretty much guaranteed to make a lot of money. Do they care that you or I post on facebook or twitter that we're sick of remakes and would like some original fare? No, because you keep giving them your money for the thing you don't want.

I'm not suggesting that everyone stops watching movies, I'm suggesting that you consider what you watch and if you want good, entertaining stories that are original and fresh and star great actors and actresses who care about it being a great movie then simply  check out the independent movie section on Netflix or iTunes, or wherever you get your movies.

The reason I'm suggesting this is that thats where all the stuff you're saying you want is, fresh, original content by people who care what  you think. Every line of dialogue is carefully considered, not mangled by too many people trying to get a residuals check.

Indie movies, true indie movies are usually made on very tight budgets, these people cannot afford to make silly choices so everything in the movie is carefully considered and thought out. The films are usually made with more passion than money, the actors are doing their own make up, the director is also the DP, the sound guy has a million other jobs, someones mom and dad made the sandwiches that were eaten on set. It's small time but the end result is almost always miles better than the trash you see coming from Hollywood.

Now don't get me wrong, Hollywood has made some great movies and given the chance I'd jump into directing a movie for the studios tomorrow if an offer came. I just feel that people should split their movie going/watching time between the big boys and the little guys.

So one week watch Fast and the Furious 310 but when you're cruising Netflix a few days later watch The Giant Mechanical Man or Nobody Walks or anything that you like the look of. You'll still find some "famous" actors, but more importantly you'll find great stories and artists, people who are really trying to entertain and impress you. People who simply give a damn and people whose day you can make by simply watching their movie.

And why not take it a step further? Check out Kickstarter or Indiegogo and help someone make a movie, you'd be surprised how much a $5 donation can mean, especially if it's the only donation that person gets that day. If every one of my facebook fans (just an example) was to give a $5 donation to an indie movie every Friday then the movie would  get about $2,500. That's a big difference to an indie filmmaker, so even if you give $5 you are making a huge difference to someone and becoming a part of a film. How cool is that?

Obviously the more you give a project the more you get back but it is entirely possible to build a credible career as an "associate producer" by simply donating money to a film on one of the crowdfunding sites. And even better, you know that you're doing something to help people avoid another god damn remake of something from the 80s.

Personally I love indie films, I rarely actually visit the cinema anymore and instead would rather watch something small budget and fun instead of coming out of a movie disappointed and bored (I'm looking at you Broken City!!). I'm lucky in that I know a lot of indie filmmakers personally, I know actors who are making great movies, I know some really awesome writers (and a lot of bad ones!) and we are all focusing on creating awesome, fun, entertaining stories that make original, fresh and entertaining movies. All you have to do as an audience member is give indie film a chance and watch the good stuff.

It's kind of like eating at McDonalds when you have a nice piece of steak ready to eat.

So I encourage you to give indie film a chance, I can guarantee that you'll find some great movies that you'll want to share with everyone.

See you at the Premiere!

Dave

Why Zach Braff is right to crowdfund his movie

Greetings,

So if you have any interest in the film world you will probably know that last week Mr. Zach Braff of Garden State and Scrubs fame (also check out the excellent Last Kiss) launched a kickstarter campaign to raise $2 million for his new flick and he has been heavily criticized for making the move. Well as a filmmaker, writer, producer, film fan and human being I say that he has every right to raise the money through kickstarter, why not?

I wish more filmmakers would ask their audience for funding, it would lead to better films being made. I have no doubt that Zach Braff (from here on in I'm just going to call him Zach as if we're old buddies) will make an excellent film with the funds that he has raised (currently $2,265,096). If Martin Scorsese, Brian DePalma, Christopher Nolan, David Fincher, Kevin Smith, Joss Whedon, Sam Raimi or any one of a hundred directors were to crowdfund their next movie I'd be in with a donation asap and I will be donating to "I wish I was here" before Zach's campaign ends. As filmmakers it's important that we make the movies that we want to make, not the movies that some fatcat thinks will make money.

I had complete freedom when I made ALL OR NOTHING, although I did only have $500 to play with the idea is the same. Maybe a money person would have given me thousands to make the movie but maybe they wouldn't have wanted the twist in the end which people are loving. Maybe the money person would have wanted different actors or different music, maybe they would have want to change a line of dialogue or two. I didn't have to worry about that and so I know exactly why Zach wants to keep control of his flick and I admire him for that.

So let's be clear, I'm a fan of Zach, I'm planning to contribute to his movie and I respect his decision to crowdfund. I am though trying to raise funds for a new movie, something that I've been working on for a while now. I don't have a huge fanbase, I don't have money from a successful film and television career, I don't have any famous friends... not really. I know people who know people, I have good friends who know people. But it's a tough economy so let me fantasize about having Zach's $2 million for a second. Here's how I'd spend it.

First a little about the movie I want to make. The Girl at the End of the World is a love story about two people in a long distance relationship who must find a way to reach each other when all technology has died. It has two lead characters, Katie and Dan who are very much in love and who will do anything to complete the journey to each others arms.

The first thing we'd do with the money is to pay our lead actors a sum of about $250,000 each. Our lead actress would be needed for 3 days and our lead male for 4 (we're planning on shooting for a total of 5 and a half days). With $250,000 we would be sure to attract some well known faces to the roles. If I threw out the names Lindsay Lohan and Robert Sheehan you'd probably laugh, but I have faith that those guys would knock it out of the park.

Our supporting actors, the roles of Jess (Katie's sister) and Sam (Katie's best friend) would be filled by similarly known actors, maybe not as well known but good actors think Jason Mewes and Alison Mack (Smallville's Chloe Sullivan), these guys could expect $100,000 for their acting performances. So far the total comes to $700,000 and we've only paid four actors, but thankfully that's the big spending out of the way.

The rest of the cast/crew will split another $100,000. For a one week shoot and a skeleton crew of two or three this means that everyone will be getting a nice chunk o' change for their work.

$1,200,000 left in the budget and it's time to look at travel. As our lead characters are so far away from each other at the beginning of the movie we will need some travel included in our budget. Dan is Irish which means he lives in Ireland, Katie is from California and that's a long bike ride from Dublin, so we need to fly Dan to the US along with myself (director) and my brother Karl who is the sound department/editor/producer and colorist. On the return trip we will also need to bring Katie with us so that we can shoot our final scene in Dublin city. Obviously stars like me don't travel coach (Lindsay can!) so let's throw $50,000 in the travel budget.

There are a couple of important props needed for the flick, the first is a nice guitar that Dan has been saving up to buy for a long time. We were going to use a $150 axe for this but now that we have lots of cash to burn I'll go ahead and bump the budget to a couple of grand. I'm a huge guitar fan and this will be heaven for me, shopping for guitars is a hobby!

We also need a row boat and overboard engine, some candles, two bikes, a beat up acoustic guitar, some wardrobe choices and a couple of cell phones (we could use our own but we have cash to burn, remember?). Total props budget is $5,000.

If you've been keeping track you'll know that  we've now allocated $855,000 of the cash, leaving $1,145,000 still in the bank.

Let's be generous and give $1000 a day to food and lets say 7 days (even though we only need 5) and throw in another $5,000 for accommodations and transport. $1,133,000 remains.

Now we get to film equipment. We already own two Canon DSLR's and I love them. I'd shoot the movie on them again but seeing as how we have over a million left in the budget we should upgrade. I love research cameras, right now I want a BlackMagic Design 4K cinema camera, three different lenses, a good tripod a couple of sliders and a jib or two. Let's say $20,000 for a nice camera package.

The sound department could use some new microphones, a new mixing console and some boring sound equipment that I don't care about, let's throw them $10,000 and let them figure it out.

Computers are always good, currently I'm writing this post on a mid 2009 macbook pro, upgraded to the highest spec it can take. There is nothing wrong with this computer and it could easily be used to edit The Girl at the End of the World, but with all this money lying around I'm going to buy a top spec Mac Pro and a couple of high spec new MBPs. $20,000 should cover it.

We're left with $1,083,000 still available in the budget. I'm going to set aside $200,000 for distribution of the flick which includes, festival entries, dvd/blu ray production, screenings in NYC, LA, London and Dublin, Advertising, Promotion and Online fees.

Which means that we have $883,000 still in the budget and all that's left to pay are the director and the sound guy/editor/colorist/producer guy who will each take $441,500 leaving $0 in the budget.

I think Zach Braff would like this film!!!

That was fun! Really I am going to make The Girl at the End of the World for a budget of between $5000-$10,000 - yes I'm going to open a crowdfunding campaign, but I doubt it will raise all of the money needed. I am willing to sell  a kidney if anyone wants it. I just want to make this movie and tell the story which I am totally and utterly in love with.

The point of this post is not to slag off Zach Braff, rather to defend him and if he should read this: Good for you Zach, I can't wait to see what you do with the movie and good luck with it.

I think more famous people should get involved with crowdfunding because the more people become aware of the cool projects that are being funded the more the little guys out there like me have a chance to win them over and make them our fans. It isn't easy though, you have to work at it.

However I have a suggestion which would make celeb crowdfunding a little more popular: If the celebs make over their goal they should donate everything over the goal amount to small projects on the CF website of their choice. So for example this mornings count have Zach's campaign at $2,265,096 ... imagine if he used the $265,096 to projects like The Girl at the End of The World... we need $10,000 to make a great film... that means that 25 and a half films like ours could be funded by my friend Zach!

Before I leave you I have a quick word for the Zach Braff bashers the ones saying that he should put his own money in and that he shouldn't crowdfund... YES HE SHOULD! Read the FAQs on the kickstarter page, he is putting some of his own money in and as a filmmaker let me tell you, he's more emotionally invested in the project than you will ever know.

And one more thing to the haters, who the hell are you to say that someone should or shouldn't do something? Stop complaining about other people and go do something with your life other than bitching about people who are making stuff happen.

Zach Braff, if you're out there please get in touch, I would love to volunteer to work on your film completely at my own expense just to help you get it done.

Peace out Homies.

Dave

90% of writers are not writers

Read the title again. Read it again. Are you a writer? Or maybe you're one of the phonies... the problem, not the messiah? What am I even talking about?

I have been a writer my whole life, I started when I'd make up stories about how I was late home from school because a dragon had blocked the pathway and I had to battle him to the death... definitely not that I was playing football. Throughout my life I've read books, ever since I could read I read the newspaper everyday and now that I make a living as a writer/director I read a lot of bad scripts AND I'VE HAD ENOUGH.

I've found that about 10 percent of the scripts I read are even close to being good, I read a lot of scripts and the majority of them are pure 100% stinky, horrid pieces of shit. I've had migraines evolve because it was less painful than continuing to read a script... That's not a joke. Of course somewhere out there are the people who write these steaming piles of excrement. The "writer" who will clog the toilet which is the way for a new writer to be discovered with their rancid work. The writer who "saw a bad movie and thought, I can write a better script than that." and who thinks that this crappy script I'm reading is amazeballs.

If you watch a "bad" movie and think you write a better script, and that is the reason you began writing then "FUCK YOU". You think it's easy writing a story about complex relationships with engaging dialogue, endearing characters who resonate and feel like old friends? You think you can just snap your knuckles and win a fucking Oscar? FUCK YOU.

The bottom line is that screenwriting, any writing which is fictional is not a skill. It's not something that you can learn. Fiction writing is a talent, YOU CANNOT LEARN TALENT. You can learn skills, but without the talent skills are useless. Sure, a skilled writer can write a script which may not induce head shrinking migraines, HOWEVER, follow up reading that script with one by a talented writer who has taken the time to learn the skills. WOW, it'll blow your mind. It's as if the talented writer can tell a story right there on the page.

Crazy!

Imagine if you will that I could press a button on my keyboard and all of the talentless writers in the film business were instantly vaporized (I'm pressing buttons hoping that it's working), now with 90% of the "writers" gone who are left? Talented storytellers. THESE ARE THE REAL WRITERS. Writing is about telling stories, not about getting massive paychecks and going to Hollywood parties (although I like a good party!).

There is another problem though, 90% of what's left are writing the wrong thing! Why? Because they're trying to write what will sell instead of what they want to write. If you're not writing from the heart then you're doing it wrong.

I belong to several writer groups, some of them good, some of them just awful and some of them becoming too diluted for my liking. Throughout all of them though there is a common occurrence, there's always a few loud mouth idiots telling everyone how to do things... the wrong way. These people are not trying to be bad news, they think they're helping, they're just not supposed to be writers... they're probably producers, those guys haven't got a clue!! (Before any gets angry, I'm a producer too!).

I see conversations where people argue over whether they should buy Final Draft or continue to use CeltX. Good question, there is but one answer: Professional writers use Final Draft (or that movie magic or whatever it's called). Should I buy a macbook to write my masterpiece on? Well if you need a macbook buy one, if not you can get FD for PC (I love my mac btw, but if you're only writing then get a cheap laptop and spend the cash on PROFESSIONAL software instead).

Regardless of if you write with CeltX, Final Draft or the other one on an ipad, macbook, pc, laptop, iphone, android phone, fridge magnet, WHATEVER, if you don't instinctively know how to tell a frickin' story then you'll never be a professional writer. Sadly about 90% of "writers" don't know how to write stories, they know the skills required to write a script and that means jack shit when I'm reading scripts guys.

I have already rambled and blabbed on for too long so I will leave you with my lists of reasons to be a screenwriter and my list of reasons you should not think make you a screenwriter a screenwriter and I'll write more about this subject later this week.

REASONS YOU SHOULD NOT THINK MAKE YOU A SCREENWRITER:

1: You saw a bad movie and you know you can do better than that -- FUCK YOU
2: You want to be rich and writing a script is easy money -- FUCK YOU
3: You want to work in the movies and writer is the easiest job -- DOUBLE FUCK YOU
4: Your friends all think you're funny so you're going to write the best comedy ever -- FUCK YOU
5: You've seen a million movies, how hard can it be? -- FUCK YOU
6: You are the greatest writer in the world, without doubt -- FUCK YOU (this one is jealousy!)
7: You want to meet movie stars so you need a script to present -- FUCK YOU
8: You heard that writing a script is easy -- FUCK YOU
9: Money, Money Money -- OMFG FUCK YOU
10: Kevin Smith did it -- Fuck you, Kevin Smith is a talented mofo. Seriously.

REASONS WHY YOU SHOULD BE A SCREENWRITER:
1: You have stories burning you up from the inside that you need to tell cinematically.
2: See number one, there is no other valid reason other than you need to tell stories because that is your number one talent and it is the most important thing to you in the whole entire world. You'd do it for free if it meant that you could do it... you might even pay to do it because you love it so much. It's a passion in your belly that you need to satisfy by WRITING.

OH and just before anyone has a little "who the fuck are you to say that about writers?" kind of attack at me:

My name is Dave McGlone, I write and direct movies. I've been award nominated, I've been told that my dialogue sucked, I've been told that I was the freshest voice in writing for decades (thanks, Mom). I've made three short films and one feature film. None of them have had a bad review. I write because I love it, it is a burning passion within me and I love it. Would I write a script for free? YES. Would I pay to be allowed to write? YES.

Check out my movie ALL OR NOTHING @ www.facebook.com/dervanprod

Have a nice day and...

Write On... except for you 90 percenters!

Dave